John's version uses a piano as the song's centerpiece in place of the acoustic guitar in the original (in the film, John's character is shown playing his pinball machine via a small piano keyboard), and features additional lyrics specially written by Townshend for the movie version, as well as a subtle inclusion of musical phrases from the Who's 1960s hit " I Can't Explain" during the outro (similarly, the Who's later cover of Elton John's " Saturday Night's Alright for Fighting" included parts of " Take Me to the Pilot"). It did however make the US Radio & Records airplay chart, where it reached number 9. Because it was not released as a commercial single in the US, it was ineligible to be listed on the Billboard Hot 100 chart. This version was released in 1975 as a promotional single only in the US, and in 1976 in the UK, where it reached number 7. The song was performed by English musician Elton John in Ken Russell's 1975 film adaptation of Tommy. " Grow Some Funk of Your Own / I Feel Like a Bullet (In the Gun of Robert Ford)" Sales+streaming figures based on certification alone.Įlton John version "Pinball Wizard" Pete Townshend – backing vocals, co-lead vocals, acoustic guitar, electric guitar.Pinball Wizard was also played during the Super Bowl XLIV Halftime Show on 7 February 2010. Bootleg recordings show that this song has been known to last as long as 8 minutes (at a concert at the Rainbow Theatre in London on 3 February 1981), although live versions lasting as long as that are extremely rare. The live performances rarely deviated from the album arrangement, save for an occasional jam at the end sometimes leading to another song. This song is one of the band's most famous live songs, being played at almost every Who concert since its debut live performance on. The single version was slightly sped up and runs to 2:57, whilst the natural length album version runs to 3:04.īillboard described the single as "a solid beat rocker." Live performances The song "Pinball Wizard" was written and recorded almost immediately. Knowing Cohn was an avid pinball fan, Townshend suggested that Tommy would play pinball, and Cohn immediately declared Tommy to be a masterpiece. Following this, Townshend, as Tommy 's principal composer, discussed the album with Cohn and concluded that, to lighten the load of the rock opera's heavy spiritual overtones (Townshend had recently become deeply interested in the teachings of Meher Baba), the title character, a "deaf, dumb, and blind" boy, should also be particularly good at a certain game. In late 1968 or early 1969, when the Who played a rough assembly of their new album to critic Nik Cohn, Cohn gave a lukewarm reaction to it. It was a perpetual concert favourite for Who fans due to its pop sound and familiarity. Nevertheless, the song was a commercial success and remains one of the most recognised tunes from the opera. Townshend once called it "the most clumsy piece of writing ever done". If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.The lyrics are written from the perspective of a pinball champion, called "Local Lad" in the Tommy libretto book, astounded by the skills of the opera's eponymous main character, Tommy Walker: "He ain't got no distractions / Can't hear those buzzers and bells / Don't see lights a flashin' / Plays by sense of smell / Always gets a replay / Never seen him fall / That deaf dumb and blind kid / Sure plays a mean pinball.", and "I thought I was the Bally table king, but I just handed my pinball crown to him". The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. One hundred years in the future, Amy and the others fight on for humankind’s salvation.
These three will learn that they have not been fully abandoned-and that in connection lies hope, even on the darkest of nights. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos.
Now the scope widens and the intensity deepens as the epic story surges forward. The Twelve - In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong.
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